The recently launched Hulu serialization of Margaret Atwood’s seminal novel “The Handmaid’s Tale” is proving a worthy challenge to viewers around the world. It is not for the fainthearted audience.
Executive Producers Bruce Miller and Warren Littlefield gave the reins to director Reed Morano who, in partnership with actors including Elisabeth Moss, Joseph Fiennes, Yvonne Strahovski, Alexis Bledel, Samira Wiley, Ann Dowd, Madeline Brewer, Max Minghella, and O-T Fagbenle, have inhabited a world at one and the same time seductive and horrific.
DP Colin Watkinson has used focus and color in ways designed to disorient and unsettle, and the symbolism of Ane Crabtree’s costume design is as direct as her craft is sublime. Not forgetting Julie Berghoff’s production design, but nevertheless unwittingly neglecting the host of other contributors, I found the show to be immensely demanding, in the best of ways.
This is not something I would actively choose to watch, as a means to relax at the end of a long day’s work. Then again, there is little about our current sociopolitical landscape that warrants relaxation. One might once have called “The Handmaid’s Tale” a cautionary tale. Today, it feels more like a peek into a possible yet not-so-distant future. I wonder how much advanced warning we can afford.